AE01
ATON
| Availability: | |
|---|---|
ArtNet Control
APP Control
Art-Net Control: Bridging Lighting and Networking
Art-Net is a royalty-free protocol that transmits DMX512 lighting data over standard Ethernet networks using UDP. By leveraging existing network infrastructure, it overcomes the physical limitations of traditional DMX cabling, offering unmatched scalability for large-scale theatrical and architectural lighting systems. Beyond the protocol, Art-Net control also includes dedicated software tools that empower technicians to remotely manage networks, discover devices, and monitor real-time data traffic directly from mobile devices. Ultimately, Art-Net provides a highly efficient, cost-effective bridge between analog lighting concepts and modern digital networking.
I am Wireless APP Control, the invisible link that puts the entire show at the operator's fingertips. By connecting me to a smartphone or tablet, I allow the lighting designer to program my colors, movements, and effects without being tethered to a bulky console. This freedom turns any device into a command center, making it incredibly fast and easy to tweak my settings, create dynamic scenes, and control the atmosphere of the stage from anywhere in the room.
50 pixel point control
Easy setup, mapping and configuration
Bright and fully calibrated for optimal consistency
Specialized connecting cable
This granular level of control transforms a standard light string into a dynamic digital canvas. With 150 individual control channels (Red, Green, and Blue for each of the 50 points), users can create intricate, high-resolution visual effects such as seamless color chases, scanning patterns, text displays, and complex animations. Commonly used in architectural illumination, stage backgrounds, and large-scale signage, 50 Pixel Point Control offers unmatched flexibility, allowing designers to program precise, pixel-perfect lighting sequences that bring any space to life.
Easy Setup
I am designed for quick and hassle-free installation—whether it’s mounting on trusses, connecting power, or linking with control systems, everything clicks into place with minimal effort.
Mapping
I can effortlessly align with stage layouts, audience zones, or motion cues, ensuring my beams hit the right spots and sync seamlessly with other lights, video, or music.
Configuration
Adjusting my modes, colors, intensity, or effects is intuitive and fast, thanks to user-friendly interfaces and presets that let lighting crews shape my output in seconds.
The Advantage
This ease means less time setting up and more time creating—giving artists and technicians the freedom to focus on the show, not the technical hurdles.
Delivering exceptional visual performance, this system is engineered to be brilliantly bright while maintaining flawless color accuracy. Each unit undergoes a rigorous, fully automated calibration process straight from the factory, ensuring that every pixel operates at peak precision. This meticulous tuning eliminates common issues such as color shifting, uneven brightness, and mura effects across large-scale displays. Whether deployed in a massive architectural facade or a high-resolution stage backdrop, the result is a seamless, uniform canvas where every light point perfectly matches its neighbor, guaranteeing optimal consistency and delivering a breathtaking, professional-grade visual experience.
Engineered specifically for high-performance lighting and display systems, this specialized connecting cable is designed to deliver flawless signal integrity and reliable power transmission. Unlike standard off-the-shelf cables, it features premium-grade conductors and advanced shielding to effectively resist electromagnetic interference (EMI) and prevent data loss over extended distances. The connectors are precision-molded for a secure, weather-resistant fit, ensuring a stable connection even in demanding outdoor or high-vibration environments. Whether you are linking complex pixel arrays or extending power runs, this dedicated cable guarantees uninterrupted communication, minimizing signal dropouts and ensuring your installation operates at peak efficiency.
Round Diffuser
Square Diffuser
Semi-circular diffuser
Half-square diffuser
As a Round Diffuser, my job is to soften the beam, transforming it from a hard, focused spotlight into a smooth, even wash of light. I eliminate harsh shadows and hotspots, creating a gentle, flattering glow that's perfect for general stage coverage, backlighting, or adding a soft, atmospheric touch to a scene.
I am a Square Diffuser, and my purpose is to reshape and soften the light to match the natural geometry of the stage and video screens. By scattering the beam evenly, I transform my output from a round spot into a square wash, ensuring seamless, even coverage across backdrops and sets without the need for complex focusing. This creates a smooth, shadow-free look that blends perfectly with other lights, making me the ideal choice for modern stage washes and video-friendly lighting.
I am a Semi-circular Diffuser, a specialized tool designed to shape my beam into a unique "half-moon" profile. By softening the light in this distinct shape, I allow lighting designers to create dramatic visual effects—such as highlighting specific sections of a backdrop or casting unique, artistic shadows—without the need for gobos or complex focusing, adding a layer of creative texture to the stage.
I am a Half-square Diffuser, a specialized filter designed to modify my beam into a distinct "half-square" shape. By softening the light in this specific geometry, I allow lighting designers to create precise, dramatic effects—such as cutting light sharply across a stage or blending seamlessly with other fixtures—adding a unique layer of texture and control to the visual storytelling.
90°
connector
180 °
connector
Rotating
connector
Base
connector
Horizontal
connector
Rectangular
connector
Cube
connector
| Physical VDO Sceptron™ 20, 320 mm model Length | 320 mm (12.6 in.) |
| Width | 27 mm (1.06 in.) |
| Height without front | 28 mm (1.10 in.) |
| Height with standard front (Square Diffuser) | 42 mm (1.65 in.) |
| Weight without front | 0.40 kg (0.9 lbs.) |
| Weight with standard front (Square Diffuser) | 0.50 kg (1.1 lbs.) |
| VDO Sceptron™ 20, 1000 mm model Length | 1000 mm (39.4 in.) |
| Width | 27 mm (1.06 in.) |
| Height without front | 28 mm (1.10 in.) |
| Height with standard front (Square Diffuser) | 42 mm (1.65 in.) |
| Weight without front | 1.2 kg (2.6 lbs.) |
| Weight with standard front (Square Diffuser) | 1.4 kg (3.1 lbs.) |
| Dynamic Effects Control resolution | 16-bit (P3) or 8-bit (DMX) control of each color |
| Control options | Martin P3™ System Controller (via Martin P3 PowerPort™) or DMX |
| Protocol detection | Automatic |
| Setting and addressing | Martin P3™ System Controller or RDM-compliant controller |
| Color and intensity calibration | Pixel-level |
| DMX compliance | USITT DMX512-A |
| RDM compliance | ANSI/ESTA E1.20 |
| Firmware update | Via Martin P3™ System Controller |
| Control modes, direct DMX control | RGB, Basic, Segment and Pixel |
| DMX channels, direct DMX control | 3/10/13/22/55/157 |
| Control modes, DMX via P3 | P3 Intensity, P3 RGB, P3 Basic, P3 Hybrid and P3 PixelMap |
| DMX channels, DMX via P3 | Wide range of options from 1 to 153 |
| Device status | Multi-color visual indication |
| Device test and reset | Magnetic pushbutton to call up local test patterns and reset device |
| Minimum LED lifetime | 50,000 hours (to >70% luminous output)* |
| Binning | Tight color and flux binning |
| Calibration | Full Gamut Pixel Calibration |
| Diffuser/Lens Options | Open Front, Flat Diffuser, Flat Smoked Diffuser, Round Diffuser, Round Smoked Diffuser, Square Diffuser (supplied standard with fixture), Square Smoked Diffuser, Tube Diffuser, Tube Smoked Diffuser, NoBlend Diffuser 20 mm, NoBlend Smoked Diffuser 20 mm, NoBlend Diffuser 40 mm, NoBlend Smoked Diffuser 40 mm, Lens Array Narrow 20 mm, Asymmetric (Wall-Washing) Lens |
| Color resolution | 16 bits per color (48 bits per pixel) |
| Viewing angle | 120° x 120° (half-peak) |
| Pitch (pixel center-to-center) | 20.00 mm |
| Luminous intensity, calibrated mode | 125 cd per meter |
| Luminous output, calibrated mode | 375 lumen per meter |
| Total output, calibrated mode | 4166 nits (fixtures placed in continuous surface at 30 mm center-to-center) |
| LED Array VDO Sceptron 20 320mm | 1 x 16 |
| LED Array VDO Sceptron 20 1000mm | 1 x 50 |
| CCT | 6500 Kelvin |
| LED refresh rate - Standard Mode | 1001 Hz |
| LED refresh rate - High Refresh Mode | 4004 Hz |
| Brightness control | Video Processing |
| Gamma correction and control | Video Processing |
| Color temperature control | Video Processing |
| Color space control | Video Processing |
| Calibration processing | Video Processing |
| Synchronization | Video Processing |
| Signal Protocol | Martin P3 (via Martin P3™ PowerPort) or DMX |
| Color | Matte black |
| Base | Extruded aluminum profile |
| Protection rating | IP65 |
| RoHS compliant | Yes |
| Mounting | Channel for M6 captive nuts on back of profile |
| Mounting options | M6 bolts, optional sliding bracket (accepts M12 bolt), half coupler, spigot adapter, linear coupler, parallel coupler, pivot coupler, floorstand |
| Orientation | Any |
| Power and data input | 6-pin custom (BBD) IP66-rated |
| Power and data thru | 6-pin custom (BBD) IP66-rated |
| Hot plugging compatible | Yes |
| Nominal input voltage | 48 VDC +/- 4% |
| Power supply options | Martin P3™ PowerPort 1500, Martin P3™ PowerPort 1000 IP, Martin™ DMX PowerPort 375, Martin™ IP66 PSU 240W or generic 48 VDC PSU |
| Maximum power consumption, all LEDs at full intensity, VDO Sceptron™ 20, 320 mm | 5 W |
| Maximum power consumption, all LEDs at full intensity, VDO Sceptron™ 20, 1000 mm | 15 W |
| Cooling | Convection |
| Maximum ambient temperature (Ta max.) | 55° C (131° F) |
| Minimum ambient temperature (Ta min.) | -30° C (-22° F) |
| Total heat dissipation (calculated, +/- 10%), VDO Sceptron™ 20, 320 mm | 19 BTU/hr |
| Total heat dissipation (calculated, +/- 10%), VDO Sceptron™ 20, 1000 mm | 60 BTU/hr |
| RoHS | Compliant |
| REACH | Compliant |
| WEEE | Compliant |
| Proposition 65 | Compliant |
| Efficacy (max output) | 22.1 lm/W |
| LWR* | 277 lm/kg (128 lm/lb) |
| EU safety | EN 60950-1, EN 60950-22, EN 62471 |
| EU EMC | EN 55032, EN 55024 |
| US safety | UL 60950-1, UL 60950-22 |
| US EMC | FCC Part 15 Class A |
| Canadian safety | CSA C22.2 No. 60950-1, No. 60950-22 |
| Canadian EMC | ICES-003 Class A |
| Australia/NZ | RCM |
| India | BIS |
