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Innovative Color Cluster 48X8W+RGBW Stage Light for Unmatched Visual Effects
50 Reviews
In terms of lighting effect, it has built-in 4 dimmer curves, strobing effect, tungsten emulation mode effect. This product offers multiple mountingholes for quick and easy installation. Its portable design ensures hassle-free transportation. Customize it with optional wireless DMX and app control for added flexibility in your application. While maintaining high-power output, it can explore a wider range of visual expressions,enhancing creativity and versatility in lighting design.
This wall wash light features 48*8W+RGBW. Also It supports 12 segmented control for precise dimming, up to 11 DMX modes like 2/3/4/8/11/18/22/24/34/48/58CH for users to choose, you can create any desired effect with absolute freedom and ease. Total output powerof up to 385W, this high power design gives the fixture excellent brightness and color performance which can meet the needs of variousstage performances
● 48*8W RGBW；12 section control for precise dimming
● Excellent coloring mixing and high CRI
● IP65 outdoor rating
● DMX&RDM protocol
● Support CRMX, Chinese wireless or APP control（optional）
Green-Magenta
Adjust green/magenta during creation toreduce post-production work
Green
Magenta
High HSV
High HSV pushes the "brightness value" to the top grid - allowing the light intensity to instantly overflow without any change in hue or saturation. Its function is like injecting adrenaline into the stage: with the same color, when the brightness reaches 100%, the purity is forcibly "burst" by the highlight, the visual noise suddenly increases, and the audience's retina first receives a sharp color blade; The background details are engulfed by highlights, the mixed colors are uniformly whitewashed, and the picture is as clean as an advertisement; On the music node, one click full V, the pupils of the entire scene synchronously dilate, and emotions are directly pushed to the top by the light intensity. No need to change colors, just turn the Value knob to the bottom to make the color have its own current, upgrading "see" to "hit".
Tungsten effect/Halogen effect
The core function of Tungsten/Halogen effect is to use cold light LED to "play" the temperament of hot light lamp. It writes the warm yellow base color of 2700-3200 K into the dimming curve: the lower the push rod, the more the color temperature runs towards red, and when it becomes 5% dark, it automatically floats to 2200 K, like the orange red color before the tungsten wire is cut off; At the same time, the proportion of red and orange bands is increased, and the skin color is instantly coated with a "film filter", eliminating the cheap feeling of low brightness green LED. So, without the need for CTO filters or changing channels, the lighting engineer only needs to push and pull the push rod like traditional silicon dimming, allowing the stage to seamlessly switch between energy saving and nostalgia - what the audience sees is not cold light, but a "memory orange" with temperature.
LEE Filters
LEE Filters is the 'spectral surgical knife' of the stage. A high temperature resistant polyester sheet can accurately cut wavelengths in a thickness of 0.1 mm: CTO pulls the 5600 K daylight LED back to 3200 K tungsten wire warm yellow, and CTB injects cold blue color into the tungsten wire lamp in reverse; Minus Green series cuts off the 540 nm green peak with one knife, instantly neutralizing the "ghost face" of fluorescent lamps; Diffusion 129 turns hard edged beams into soft mist and provides free skin grinding for actors. Each filter comes with a micro reciprocal offset value, and the lighting technician can add or subtract it according to "Mayer". Even when multiple lamps are mixed, zero color difference splicing can be achieved. Result: Cold light has gained warmth, chasing light has gained sunset, the beam of light has been cut into the emotions required for the script, and it's not just the stage that lights up, but also the story.
CCT linear adjust
CCT linear adjust installs the entire section of sunlight into a push rod: there is no sliding range from 2700 K to 6500 K, and the color temperature drifts linearly with the fingertips. Upward, the cold white is like a high color temperature blade at four o'clock in the morning, cutting through the sci-fi space with one blade; Down, warm yellow like the ashes of a tungsten filament burning out, exuding a retro mood. The entire process does not require CTO filters, and the algorithm re mixes the duty cycles of red, green, and blue LEDs in real-time to ensure that any K-value color rendering index is greater than 90, the skin color is not biased, and the background is not blurred. The lighting engineer can use only one linear channel to make the stage fall from "noon" to "candlelight" within ten seconds, turning the temperature difference of time into an emotional gap under the audience's nose.
